stu-pot:

ciiriianan:

sadoeuphemist:

writing-prompt-s:

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.

“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”

The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.

“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”

“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”

“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”

The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”

Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”

“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”

Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.

“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”

“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?” 

The god rattled around in the temple and sighed.

A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer. 

“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”

“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”

“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”

The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.

And one fateful day, from across the wine-dark seas, came War.

Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.

“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”

“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”

“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.

“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.

“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”

“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”

And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.

Sora found the temple with the bones within it, the roof falling in upon them.

“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.

“His name was Arepo,” it said, “He was a sower.”

Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.

“Bury him,” the god said, “Beneath my altar.”

“All right,” Sora said, and went to fetch her shovel.

“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”

Sora sat back on her heels and looked at the altar to listen to the god.

“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.

“I think you are the god of something very useful,” she said.

“What?” the god asked.

Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”

Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to be empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.

The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.

He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.

So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.

“Hello, God of Every Humble Beauty in the World,” called a familiar voice.

The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.

“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.

“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”

“No,” Arepo smiled.

“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”

“No, I will not go there, either,” Arepo shook his head and chuckled.

“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.

“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”

The other god was struck speechless. “…. Why would you want to live here?”

“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”

(via malocclusive)

Anonymous asked:

I feel like the friends I have now don’t care about me. I try to connect, try to be a present and supportive friend. but it feels like they don’t reciprocate. like I care more about them than they care about me. at this point we’ve been friends for years but we don’t really hang out like we used to, and sometimes when I’ve brought up the idea of hanging out again they’re all busy (and I know life can get super busy sometimes I don’t blame them for that) but some of them even bring up plans with other friends. I feel like I can’t just walk away and let go, I don’t have anyone else and I’m not very good at making friends. Every so often they talk in the group chat and dangle a little hope in front of my eyes with talk of possibly hanging out again soon, but nothing ever comes from it.. Am I selfish for wanting to feel like a priority? I just want to stop feeling so lonely and stupid.

:

.

@egglefromte this used to be me word for word (I’m having the same experience as you wondering if I wrote it) but I realized: making friends is also a skill: it’s a difficult skill to master, but it’s possible to learn.

I surrounded myself with new interests & joined local groups

I also talk to people randomly now, and say yes to as many social things as I can, even if I think I won’t like them.

This helps me make new friends and not feel lonely

Also communicating to your friends how much you value them might help!

unbidden-yidden:

Anyway, no-fault divorce, easy access to birth control, and abortion on demand all serve to make families stronger, healthier, happier, and more robust, because they allow family to be a matter of choice rather than a means of social control and violence.

(via howboutthatbreadtho)

dduane:

there-once-wasa-girl:

mylordshesacactus:

mylordshesacactus:

mylordshesacactus:

So my family has a Gay Pirate Plate.

Stay with me.

We do not know how the hell the Gay Pirate Plate was first acquired. This being a point of contention is actually pretty plot-relevant; the saga of the Gay Pirate Plate began with my grandmother and her sister, who, for some ungodly reason, both BADLY wanted the Gay Pirate Plate and believed it to be rightfully theirs.

I should back up, firstly, to establish: The Gay Pirate Plate is the cheapest, tackiest, ugliest plate in existence.

It is in no way a collector’s item. It is physically impossible for it to complement anyone’s decor, because the colors in it are garish. It’s just a ceramic plate with a gay pirate painted on it, and the painting is, this cannot be emphasized enough, extremely bad.

(How do we know the pirate is gay if he’s just posing on a plate? Listen. Fully 100% to stereotype, but he is. He is gay. There’s an energy. That pirate is a flaming homosexual. That pirate has sex with men and does it frequently. That pirate is fucking gay, all right, he just is.)

Anyway. The point is that this is an extremely cheap and ugly plate with a poorly-executed painting of pirate on it who is like a nine on the Kinsey scale.

My grandmother and her sister fought a blood feud over this plate for their entire lives. It would be on the wall in my grandma’s house, and then her sister would visit, and then it would be gone. She’d visit her sister and the plate would be on the wall and her sister would pretend it had always been there. She would steal it back, hang it up, and, when her sister visited, pretend it had always been there. This continued for DECADES.

When the sister died, the Gay Pirate Plate lived triumphantly in my grandmother’s house. And then my grandmother died. And my aunt, who had lived with her and been her carer throughout her life, rightfully inherited their house.

We visit my aunt after the funeral and stay with her for a week or two.

Me, my sister, and our dad. Her brother.

The three of us look at each other. We don’t say anything. We studiously avoid making eye contact with the Gay Pirate Plate mounted proud and ugly on the wall. We notice one another studiously avoiding looking at it. We notice one another noticing. We say nothing. We come to a silent consensus. We pack up to leave. We get in the van. Our aunt comes out to say goodbye. I loudly announce I need to use the restroom before we leave. She obviously stays outside to continue talking to my dad.

I take down the Gay Pirate Plate, stuff it under my oversized sweatshirt, go outside, and get in the van. She happily waves goodbye as we drive off.

Two days later my dad gets a phone call that opens with hysterical laughter and “You FUCKING ASSHOLE did you seriously STEAL THE PLATE–”

Anyway. The gay pirate plate lives in my dad’s house currently.

But he’s trying to get me and my sister out to visit him. And plate mounts are cheap.

The rules of Gay Pirate Plate are simple by the way.

  1. The plate must be clearly and openly displayed in a place of great prominence whenever it is in your possession. When it is not in your possession, the display piece must remain in place. This is where you would put your gay pirate plate, IF YOU HAD ONE.
  2. No active steps may be taken to prevent the theft of the Gay Pirate Plate. That goes against the spirit of the game, as does attempting to hide it.
  3. The plate MUST be stolen and cannot be gifted or removed with permission. Should you witness attempted theft of the Gay Pirate Plate you are required to intervene and return it to its place.
  4. Every time your sibling successfully absconds with the Gay Pirate Plate, you must respond with indignant fury, as if you have not also repeatedly and blatantly stolen the Gay Pirate Plate.

WOE

image

PLATE BE UPON YE

My family plays a game in the same spirit but reversed. We were given a fake rock that says “forever in out hearts” after my grandfather died. My family hates it, my grandfather would have hated it. So now the game is to pass the rock.

You must sneak the rock into a family member’s possession without them knowing. You cannot give it back to whoever gave it to you.

My grandmother mailed it to her daughter’s inlaws so they could leave it on her doorstep. My mother sewed it into a dog toy and sent it to my uncle. My aunt hid it amongst my wedding presents. I crocheted it into the rootball of a crochet bonsai tree for my sister. My sister buried it in my aunt’s garden-beds a month before she was due to plant stuff in them knowing she would dig it up.

We all live in fear of the rock and yet in joyous anticipation of the next furious message in the family groupchat with a picture of the rock. I have to plan out what to do when it next comes to me….

Reblogging for the concept of Living In Fear Of The Rock. 😏

Tags: Tumblr tales

Anonymous asked:

Wild one, but do you have an idea for a crossover between Avatar and Earthsea? Personally, I’m having trouble imagining, but you’re such a wonderful author, so?

attackfish:

Thank you for being so flattering to my ego, Nonny, but it actually took me a really long time for me to come up with anything, and what I ended up settling on was less of a crossover or fusion, and more of a pastiche. The problem is that Ursula K. LeGuin was an amazing author, and her themes, characters, their arcs, and the plot all fit each other so well and flow so naturally from each other that it is really difficult to manage a crossover, or worse, a fusion. There is certainly no character with the cheerful scorn and arrogance of a young Sparrowhawk.

Okay that’s not true. I can think of one, which is what gave me the idea for a pastiche of A Wizard of Earthsea, starring Iroh, just after the death of Lu Ten. In his arrogance and overwhelming grief, he tries to ressurect his son, but what he brings forth into the world is his own shadow.

While Ozai is murdering their father and usurping the throne, Iroh is chasing down the literal embodiment of his folly, as it cuts a swathe of distruction through the Earth Kingdom, coming to terms with the wrongness and monsterous cruelty of his actions, of the cause he upheld, and the ideals his son died for, culminating in the literal acceptance of his own guilt when he names his shadow and accepts it as a part of him.

And then he returns home, a wiser but no less broken man, to mourn, and put the rest of pieces of himself back together.

This would be incredible! And I feel like this fic idea really understands Le Guin and the idea of the shadow

zenchii:

Vi + Jinx + Tragedies.

source

(via moonlightsdreaming)

greelin:

i can’t hate read about the lives of rich people otherwise i’ll have blood pressure problems.. they say shit like “we had to push back our yearly summer europe trip by a month and our normal villa was booked so we had to go somewhere with six bedrooms instead of eight and it’s SO hot in italy this time of year😭” and it’s real to them. like that’s a real thing they’re experiencing and view as “a problem.” that’s what they’re struggling with, right now, in this day and age. what if i killed you with my bare hands

The rage is not jealousy, not “they have so much while we have so little”. They have so much BECAUSE we have so little. They take the excess of our labor. They feed off our rent. They line their pockets with millions we pay just for healthcare, just to live.

We must unite within our communities and our neighborhoods to build power and end them.

Doesn’t matter what org you join. I’m in the DSA. Find a local org near you, ask how you can help.

(via palindromordnilap)

Tags: capitalism

rongzhi:

A slide

English added by me :)

GOLDEN CICADA SHEDS ITS SKIN

sadclowncentral:

if you had asked me as a child what colour the sky was, i would have confidently said blue and yellow. because i grew up on the baltic coast next to one of the most travelled ship routes of the world, and the unfiltered sulfur pouring out of the exhausts of nearly a hundred cargo ships every day turned into a thick layer of sickly yellow laying over the horizon. especially on sunny summer days, it settled of the sea like the cheap imitation of a sunset, out of place during the bright daylight.

then, from one summer to the next, the yellow slowly but surely faded away. because a new legislation passed - one which heavily penalised airborne ship emissions in the area. and while the silhouettes of ships across the passage never became less frequent, their backdrop was now such a pure blue that its hard to imagine that it was ever different.

i think about this everytime someone tells me that climate legislation doesn’t work, everytime a new media story declaring our helplessness in the face of certain environmental doom makes the rounds. don’t get me wrong - the situation we are facing in terms of climate change and environmental destruction is certainly terrifying. but everyday, people are working tirelessly to implement law and policy that could change that fact. and because of those people, a newly bright blue sky touches down over the baltic sea. and that has to count for something, i think.

(via bonefarm)

beardedmrbean:

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(via carryonmysociallyawkwardson)